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  Exhibitions

Pulp Function
At Fuller Craft: May 19, 2007 - January 6, 2008


February 16, 2008 – April 6, 2008
The Narrows Center for the Arts
Fall River, MA

April 16, 2008 – May 26, 2008
Worcester Center for Craft
Worcester, MA

July 11, 2008 – September 28, 2008
Nicolaysen Art Museum & Discovery Center
Casper, WY

October 31, 2008 – Feb 8, 2009
Plains Art Museum
Fargo, ND

March 14, 2009 – June 28, 2009
James A. Michener Art Museum
Doylestown, PA


Curated by Lloyd Herman, Founding Director of the Renwick Gallery of the Smithsonian, Pulp Function will explore all aspects of paper as a medium for art, and will include handmade paper pulp, recycled paper, paper cuts, cardboard, papier mache, and folded or otherwise manipulated paper. Approximately 75 works will be featured including jewelry, vessels and wearables by artists such as Gugger Petter, Kay Sekimachi, Jerry Bleem, Kiwon Wang, Sylvia Seventy, and Shelly Hedges. This exhibition is supported in part by the Caroline R. Graboys Fund.

Catalogue
Pulp Function will be accompanied by a full color catalogue with select images from the exhibition and essays by Curator Lloyd Herman and Fuller Craft Museum Director Gretchen Keyworth.

Contact
For more information about bringing Pulp Function to your museum please contact Jessie Schlosser, Exhibitions Manager: exhibitions@fullercraft.org.

Edge of the Sublime: Jamie Bennett
At Fuller Craft: January 19 - May 4, 2008
Available for travel: July 2008 - August 2009

January 19, 2008 - May 4, 2008 Fuller Craft Museum

June 27, 2008 - August 24, 2008 National Ornamental Museum, Memphis, TN

September 27, 2008 - November 19, 2008 Samuel Dorsky Museum of Art, New Paltz, NY

December 19, 2008 – February 15, 2009 Arkansas Arts Center, Little Rock, AR

March 22, 2009 – Sept 6, 2009 Racine Art Museum, Racine, WI

October 16, 2009 – February 14, 2010 Bellevue Arts Museum, Bellevue, WA

Jamie Bennett is an internationally recognized metalsmith whose painterly innovations have greatly expanded the field of fired enamel into a medium for contemporary expression. This first-ever retrospective explores Bennett’s creative use and development of a variety of enameling and metalworking techniques to produce highly color-saturated imagery on signature brooches, necklaces and pendants. Bennett’s related production of enameled wall reliefs and other works on paper painted in oil and encaustic is explored in this exciting overview of the artist’s career.

Catalogue
The exhibition will be accompanied by a beautifully illustrated 150 page color publication, available in hard and soft cover. This handsome publication will include 100 color plates, a biographical essay by exhibition curator Jeannine Falino, and essays by distinguished writers in the field. The publication is funded by the Windgate Charitable Foundation, Artist’s Exhibition Series as well as the Rotasa Foundation, Art Jewelry Grant.

Contact
For more information about bringing Edge of the Sublime to your museum please contact Jessie Schlosser, Exhibitions Manager: exhibitions@fullercraft.org.